altavoces delanteros

Iniciado por Vanvan

Esos yamaha por profundidad, me valdrian. Los magnat 200 tambien me entran pero esteticamente quedan mal, y prefiero gastar algo mas, siempre y cuando no perjudique la calidad, e irme a altavoces que no sean tan profundos como los 200.

O creeis que mejor ponga los 200 aunque queden mal.
Es que el central es un magnat, y mezclar...nose. Yo quiero que se escuchen bien.

Pd:no soy ningun experto del tema, por eso necesito ayuda.

Esas Yamaha no son peores que los Magnat 200 (más bien excepto en extensión graves y SPLmax, más bien todo lo contrario. Los acabados también son mejores en los Yamaha.


Aquí tienes una comparativa donde tras varios probadores quedaron bastante ben parados. La mejor parada las B2030p seguida de dichas Yamaha NS-333 (no me extraña)... y los peores fueron los Polk Audio y Pinnacle (tampoco me extraña viendo los modelos de la competencia que tenían en dicha prueba):

No one gave a score higher than 4 (out of 5) or lower than 2 in any category. The average over-all score for the top 4 contenders was very close - from 3.40 to 3.53. The middle scorers were also pretty close together and not really very far from the top. The two lowest (the Pinnacle and the Polk) scored fairly low at 2.64 and 2.83 respectively. We were all very surprised when the top 4 scorers were revealed, as well as the order of preference (which one would you buy) that was determined separately and without scoring among the best 4. The JBL would have been in the top group and the Pinnacle in the bottom, but they were removed from contention (the Pinnacles were almost removed from the planet).

In scoring, the top 4 were:

Behringer B2030P - 3.53
Yamaha NS-333 - 3.48
Yamaha NS-6490 - 3.46
Infinity Primus P162 - 3.40


In order of actual sound quality preference:

Yamaha NS-6490
Behringer B2030P
Yamaha NS-333
Infinity Primus P162

SpkrScrnsRtWhen tallying the scores, it looked like high frequency performance was fairly easy to pass, but only the top group scored above 3.5 in low frequency quality. It was also interesting that the Behringer scored highest in only the Off-Axis category, but scored consistently second or third enough times to win the highest overall average score. Other consistent scorers were the Infinity, that never scored first but swapped second and third a few times with the Behringer to stay in the top scoring group, and the EMP, that was very consistent but missed beating the Infinity for 4th because of lower scores in the bass department.

Top scores in each category:

Sound Quality of Highs: Aperion 4B
Sound Quality of Mids: Yamaha NS-6490
Sound Quality of Lows: Yamaha NS-333
Rate How Low: Yamaha NS-333
Rate How "Natural": Aperion 4B
Sound Stage - How Wide: Yamaha NS-6490
Sound Stage - How Deep: Yamaha NS-333
Sound Stage - How "Big": Yamaha NS-333
Off Axis Performance: Behringer B2030P

http://www.audioholics.com/bookshelf...f-2009-results


Por mezclar cajas no pasa absolutamente nada. De hecho, las cajas de la misma marca no miden iguales aunque sean de la misma serie; ni siquiera la mismita caja ubicada en zonas de la sala diferente llegan al oyente con misma curva de respuesta. Hay mucho mito en este tema.


Un saludete